tag:blogger.com,1999:blog-76417810286938328502024-03-05T05:26:45.727-08:00Tres minutos de marNido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comBlogger9125tag:blogger.com,1999:blog-7641781028693832850.post-36026457875141151332011-11-23T06:06:00.001-08:002011-11-23T06:13:47.491-08:00<div style="text-align: center;"><iframe allowfullscreen="" frameborder="0" height="450" mozallowfullscreen="" src="http://player.vimeo.com/video/32556252" webkitallowfullscreen="" width="600"></iframe></div>Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-45655772976568669362010-08-26T05:39:00.000-07:002010-10-01T09:46:57.090-07:00<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSDdyNeFwuHnx29xFxXQ6HHM0eyDwURVDR0MwCYJG1kjAV8juOZmlPHvflYJ8PXlMt7671lKvaxO3C5oT1gcu-zfdcZQJ4kcYkPmO9IYLfms50HWFlV6HPZsQymKDAWaiMLg_wT1NR7tv9/s1600/Poster_1b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" gu="true" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSDdyNeFwuHnx29xFxXQ6HHM0eyDwURVDR0MwCYJG1kjAV8juOZmlPHvflYJ8PXlMt7671lKvaxO3C5oT1gcu-zfdcZQJ4kcYkPmO9IYLfms50HWFlV6HPZsQymKDAWaiMLg_wT1NR7tv9/s400/Poster_1b.jpg" width="258" /></a></div>Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-85009447521434498132010-08-26T02:10:00.000-07:002010-10-01T09:30:44.271-07:00SinopsisTres minutos de contemplación. <br />
Mar, playa, gente. <br />
El tiempo recortado.Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-66843977781940942242010-08-26T00:10:00.000-07:002011-08-02T11:35:00.580-07:00Noticias<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgExuv5Gkn1li5wi8Y0zV2-nbSiP6CIxOdaHUSwHGsYc3t5KWrxVImBlwmakHP0VpGWLsPqzQMQmAasUP8NUcOKXs8DxyyQKxEcQpGbTbNzcAlcUqRvYqZXvtzItur_vrt9WfHxeIKBbbT/s1600/afiche%25281%2529.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgExuv5Gkn1li5wi8Y0zV2-nbSiP6CIxOdaHUSwHGsYc3t5KWrxVImBlwmakHP0VpGWLsPqzQMQmAasUP8NUcOKXs8DxyyQKxEcQpGbTbNzcAlcUqRvYqZXvtzItur_vrt9WfHxeIKBbbT/s400/afiche%25281%2529.jpg" width="255" /></a></div><div class="separator" style="clear: both; text-align: center;"></div><br />
<div style="text-align: left;"><span style="color: black;"><i>Tres minutos de mar </i>ha sido seleccionado para la Competencia Oficial de Cortometrajes del 8º Festival Piriápolis de Película, que se realizará en la ciudad uruguaya del 5 al 7 de agosto de 2011.</span><br />
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<span style="color: black;">Más información en <a href="http://www.piriapolisdepelicula.com/">http://www.piriapolisdepelicula.com</a></span></div>Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-16426330329641872972010-08-26T00:07:00.000-07:002010-10-01T09:31:29.426-07:00Eterno retornoEn <em>Tres minutos de mar</em>, puede observarse un plano fijo de Montevideo, que invita a la contemplación; y a la reflexión audiovisual, haciendo que la mirada y la escucha por parte del espectador, tengan que intervenir activamente durante el desarrollo del cortometraje.<br />
<em>Tres minutos de mar</em>, se presenta en parte, como un homenaje al film <em>Five</em>, de Abbas Kiarostami, quien a su vez en dicho film, homenajea a Yasujiro Ozu. <br />
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En este cortometraje, se conjugan dos filosofías contrapuestas y complementarias, por un lado la filosofía oriental Zen, propia de Yasujiro Ozu, donde se expresa un ejercicio de síntesis de lo esencial de la vida en movimiento. Esta, busca la unión del individuo con el universo desde el interior hacia el exterior o desde el exterior al interior, a partir de la contemplación para alcanzar una unidad, en el instante de la ‘iluminación’, inspiradora del hacer en el arte y en la vida. <br />
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Por otro lado, en <em>Tres minutos de mar</em>, ciertas repeticiones visuales y sonoras, invitan a reflexionar acerca del eterno retorno, concepción filosófica del tiempo postulada en forma escrita, por primera vez en occidente, por el estoicismo, que planteaba una repetición del mundo en donde éste se extinguía para volver a crear, idea que fue retomada después por Friedrich Nietzsche en su libro <em>Así habló Zaratustra</em>. En dicho libro, el protagonista descubre esta visión del tiempo y queda desmayado por la impresión. Zaratustra despierta después de siete días de inconsciencia y sus animales lo halagan diciéndole que es el maestro del eterno retorno de lo mismo.<br />
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Sólo a través de la realización de que el "eterno retorno" incluye tanto los fracasos como los éxitos logra "despertar" del estado de trance en el que está, sabiendo que, aunque el Hombre vuelva a ser Mono, nuevamente Zaratustra aparecerá para predicar el <em>Übermensch</em> (superhombre o suprahombre), nuevamente se dará cuenta de lo que es el "eterno retorno" y nuevamente despertará.<br />
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El valor del concepto de eterno retorno ha sido tan discutido como poco entendido. En general, se le considera únicamente desde el punto de vista cronológico, en el sentido de repetición de lo sucedido. Pocas veces es pensado como uno de los conceptos más poderosos de la filosofía moral de todos los tiempos: obra de modo que un horizonte de infinitos retornos no te intimide; elige de forma que si tuvieras que volver a vivir toda tu vida de nuevo, pudieras hacerlo sin temor. Nietzsche, en su teoría del eterno retorno, nos enseña sólo una cosa: el hombre logrará transformarse en el <em>Übermensch</em> cuando logre vivir sin miedo.<br />
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Lograr la comunicación con el espectador de manera sencilla y profunda, con una cámara fija, sin texto, y un trabajo de orfebrería sonora sobre el cual se recorta un instante eterno.Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-72544303732194591582010-08-25T23:57:00.000-07:002010-10-06T21:02:16.208-07:00Ficha técnica<span style="font-size: large;"><strong>Tres minutos de mar </strong></span><br />
Realización: Emiliano Penelas<br />
Diseño de sonido: Gino Gelsi<br />
Duración: 4 minutos.<br />
País: Argentina / Uruguay. <br />
Duración: 4 minutos. <br />
Imagen: Color.<br />
Año: 2010.<br />
Formato de grabación: HD.<br />
Formato de proyección: DVD / Mini DV / DV Cam / HD.<br />
Aspecto: 16:9 (4:3 para proyecciones)<br />
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<strong><span style="font-size: large;">Emiliano Penelas </span></strong><br />
Nació en Buenos Aires, Argentina, el 18 de julio de 1977.<br />
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Es egresado de la Escuela Nacional de Realización y Experimentación Cinematográfica (ENERC) dependiente del Instituto Nacional de Cine y Artes Audiovisuales (INCAA), en la especialidad Dirección de Fotografía. <br />
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Fue Director de Fotografía de los largometrajes “<a href="http://www.huellasdepreloran.com.ar/">Huellas y memoria de Jorge Prelorán</a>” (2009), de Fermín Rivera; "<a href="http://www.documentalelalmafuerte.blogspot.com/">El Almafuerte</a>" (2009), de Juan Andrés Martínez Cantó, Roberto Persano y Santiago Nacif; “<a href="http://www.furtivolapelicula.com.ar/">Furtivo</a>” (2007), de Nicolás Tannchen; “<a href="http://www.pepenunezluthier.com.ar/">Pepe Núñez; luthier</a>” (2004), de Fermín Rivera; y "Alfredo Li Gotti, una pasión cinéfila" (2010), de Roberto Ángel Gómez.<br />
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Entre muchos otros, realizó la fotografía de los cortometrajes "Sinsabor" (2009), de Pablo G. Pérez (premio San Luis Cine); "Olimpíadas", de Magalí Bayón (perteneciente a “Historias Breves 5”, 2009); "Sacramento" (2008), de Nicolás L. Tannchen; y “Lo llevo en la sangre” (perteneciente a “Historias Breves IV”, 2004), de Pablo G. Pérez. <br />
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Ha codirigido, como miembro del Grupo Documental 1º de Mayo, el largo documental “<a href="http://www.matanza.8k.com/">Matanza</a>” (2001), junto a Nicolás Batlle, Rubén Delgado y Fernando Menéndez.<br />
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Dirigió los cortos experimentales "<a href="http://www.bsasmvdbsas.8k.com/">Buenos Aires, Montevideo, Buenos Aires</a>" (2006) y "<a href="http://paseo-cortometraje.blogspot.com/">Paseo</a>" (2009).<br />
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<span style="font-size: large;"><strong>Gino Gelsi</strong></span><br />
Nace un 18 de Agosto de 1976, en San Antonio de Padua, provincia de Buenos Aires. Desde temprana edad, este nativo de Leo, fue denotando una inclinación, hacia los procesos creativos que se manifiestan en la construcción de Objetos.<br />
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Finalizados los estudios secundarios, fascinado por los equipos electrónicos antiguos, inicia estudios de Ingeniería en Electrónica. <br />
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Hizo el diseño de sonido de los largometrajes “Huellas y memoria de Jorge Prelorán” (2009), de Fermín Rivera; “Furtivo” (2007), de Nicolás Tannchen; y "Alfredo Li Gotti, una pasión cinéfila" (2010), de Roberto Ángel Gómez (en post producción).<br />
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Además, fue responsable del sonido de los cortometrajes "Altagracia" (2009), de Nicolás L. Tannchen; "El retrato de la peste" (2009), de Lucila Las Heras, "Sinsabor" (2009), de Pablo G. Pérez (premio San Luis Cine); "Sacramento" (2008), de Nicolás L. Tannchen; y “Lo llevo en la sangre” (perteneciente a “Historias Breves IV”, 2004), de Pablo G. Pérez.Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-36140980386375372132010-08-25T23:27:00.000-07:002011-08-02T11:35:55.661-07:00Festivales<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxMxh8mszSqyMbqNoIua5ZhuwP1hqz5GBKjt6jCk3V0afMvrfvVTnOkKmRuGQSsPYZlJA1QkA3Cs1tpguzs9wBCdMO7l8w0KESwqJ0PljscZbd12r92NUMBeJ7NAqt8o8y5Q3aktVcv7q0/s1600/Logo_-25-Festival-de-Cine-de-Mar-del-Plata1.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="98" nx="true" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgxMxh8mszSqyMbqNoIua5ZhuwP1hqz5GBKjt6jCk3V0afMvrfvVTnOkKmRuGQSsPYZlJA1QkA3Cs1tpguzs9wBCdMO7l8w0KESwqJ0PljscZbd12r92NUMBeJ7NAqt8o8y5Q3aktVcv7q0/s400/Logo_-25-Festival-de-Cine-de-Mar-del-Plata1.jpg" width="400" /></a><b> </b></div><div class="separator" style="clear: both; text-align: center;"><br />
</div><b>Selección oficial Competencia Argentina de Cortometrajes del 25º Festival Internacional de Cine de Mar del Plata, Argentina. Noviembre de 2010. <a href="http://www.mardelplatafilmfest.com/">http://www.mardelplatafilmfest.com/</a></b><br />
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<b>Competencia oficial 8º Festival Piriápolis de Película. Agosto de 2011, Piriápolis, Uruguay. <a href="http://www.piriapolisdepelicula.com/"><span style="color: black;">http://www.piriapolisdepelicula.com</span></a></b><b> </b><br />
<div style="text-align: center;"></div>Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.comtag:blogger.com,1999:blog-7641781028693832850.post-36842304904856526932010-08-25T21:56:00.000-07:002010-10-01T09:32:38.990-07:00Fotos<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL34RHEKuPN7t-MO7sHq7RfOiVvxYfFxcyB_IbFK1-55dumO1MTLAeoOyKeZdiPUwkBqosgPh6e3CaP3Tu7Mn0k1u0LC2BT7ecGZnIjYqzTnVarApdbzU8jYOdxNmwrqHV8282oIUv_Q4S/s1600/Poster+1b.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" gu="true" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgL34RHEKuPN7t-MO7sHq7RfOiVvxYfFxcyB_IbFK1-55dumO1MTLAeoOyKeZdiPUwkBqosgPh6e3CaP3Tu7Mn0k1u0LC2BT7ecGZnIjYqzTnVarApdbzU8jYOdxNmwrqHV8282oIUv_Q4S/s400/Poster+1b.jpg" width="257" /></a></div><div class="separator" style="clear: both; text-align: center;"><br />
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<b>Original title (spanish)</b>: Tres minutos de mar.<br />
<b>Directed by</b>: Emiliano Penelas.<br />
<b>Sound designer</b>: Gino Gelsi.<br />
<b>Country:</b> Argentina / Uruguay. <br />
<b>Running time</b>: 4 minutes. <br />
<b>Image</b>: Color.<br />
<b>Year</b>: 2010.<br />
<b>Shooting format</b>: HD.<br />
<b>Screening format</b>: DVD / Mini DV / DV Cam / HD.<br />
<b>Aspect Ratio</b>: 16:9 (4:3 for screnings)<br />
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<b><span style="font-size: large;">Synopsis</span></b> <br />
Three minutes of contemplation.<br />
Sea, beach, people. <br />
Fragmented time. <br />
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<span style="font-size: large;"><b>Eternal return</b></span><br />
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In <i>Three minutes of sea</i> can be observed an static shot of Montevideo that invites to the contemplation; and to the audio-visual reflection, activating spectator's look and ear.<br />
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<i>Three minutes of sea</i> it's an honoring to Abbas Kiarostami's Five, who honours to Yasujiro Ozu.<br />
In this short film, there conjugates two complementary philosophies. One of them, Yasujiro Ozu's oriental Zen, where expresses an exercise of synthesis of essential of the life in movement. This one, it looks for the union of the individual with the universe from the interior towards the exterior or from the exterior to the interior, from the contemplation to reach a unit, in the instant of the 'lighting', inspiring of to do in the art and in the life. <br />
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On the other hand, in <i>Three minutes of sea</i>, certain visual and sonorous repetitions, invite to thinking it brings over of the eternal return, philosophical conception of the time postulated in written form, for the first time in west, for the stoicism, which was raising a repetition of the world where this one was becoming extinct to return to create, designs that was taken again later by Friedrich Nietzsche in <i>Thus</i> <i>spoke Zaratustra</i>. In the above mentioned book, the protagonist discovers this vision of the time and remains lost heart by the impression. Zaratustra wakes up after seven days of unconsciousness and his animals they please it saying to him that he is the teacher of the eternal return of the same thing.<br />
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Only across the accomplishment of which the "eternal return" includes both the failures and the successes it achieves "awakening" of the state of situation in the one that is, knowing that, though the Man returns to be Monkey, again Zaratustra will appear to preach the <i>Übermensch</i> (superman or supraman), again it will realize what is the "eternal return" and again it will wake up.<br />
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The value of the concept of "eternal return" has been so discussed as slightly understood. In general, it's considered only from the chronological point of view, in the sense of repetition of the happened. Rarely it is thought as one of the most powerful concepts of the moral philosophy of all the times: it acts so that a horizon of infinite returns does not intimidate you; it chooses so that if you had to return to live through all your life again, you could do it without dread. Nietzsche, in his theory of the "eternal return", teaches us only a thing: the man will manage to transform in the <i>Übermensch</i> when manages to live without fear.<br />
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To achieve the communication with the spectator by a simple and deep way, with a fixed camera, without text, and a work of sonorous goldwork on which an eternal instant stands out..<br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHHmT-NFtksO8S0xRR2BtoGoDcydBDHcZI1Ra2kn3rpv5c13HYdROT5B1gQ-J-PNjnMI37sPW26Ejv7pftFaLsT45BOWt8b7Qcjy_PFsOAGy0WBUJ5n-F-pvoEwwwc_u5zYLlML2JV4UjV/s1600/Emiliano+Penelas.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" gu="true" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiHHmT-NFtksO8S0xRR2BtoGoDcydBDHcZI1Ra2kn3rpv5c13HYdROT5B1gQ-J-PNjnMI37sPW26Ejv7pftFaLsT45BOWt8b7Qcjy_PFsOAGy0WBUJ5n-F-pvoEwwwc_u5zYLlML2JV4UjV/s400/Emiliano+Penelas.jpg" width="337" /></a></div> <br />
<b><span style="font-size: large;">Emiliano Penelas</span></b> <br />
Emiliano Penelas was born in Buenos Aires, Argentina, on July 18, 1977. It's graduated as Cinematographer from the National School of Cinema (ENERC) of the National Institute (INCAA) of Argentina. <br />
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He was Director of Photography of the full-lenght films "Alfredo Li Gotti, una pasión cinéfila" ("Alfredo Li Gotti, a movie fan passion", 2010, directed by Roberto Ángel Gómez); “<a href="http://www.huellasdepreloran.com.ar/">Huellas y memoria de Jorge Prelorán</a>” ("Traces and memories of Jorge Prelorán", 2009, directed by Fermín Rivera); "<a href="http://www.documentalelalmafuerte.blogspot.com/">El Almafuerte</a>" (2009, directed by Juan Andrés Martínez Cantó, Roberto Persano and Santiago Nacif); “<a href="http://www.furtivolapelicula.com.ar/">Furtivo</a>” ("A quick glance", 2007, directed by Nicolás Tannchen); and “<a href="http://www.pepenunezluthier.com.ar/">Pepe Núñez; luthier</a>” (2004, directed by Fermín Rivera).<br />
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He worked as cinematographer in the short films "Sinsabor" ("Bittersweet", 2009, directed by Pablo G. Pérez - San Luis Cine prize); "Olimpíadas" ("Olympic games", 2009, directed by Magalí Bayón - from the feature film "Short stories 5"); "Sacramento" (2008, directed by Nicolás L. Tannchen); and “Lo llevo en la sangre” ("On my blood", 2004, directed by Pablo G. Pérez - from the feature film “Short stories IV”).<br />
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He codirected, as member of the "May 1st Documentary Group", the full-length documentary “<a href="http://www.matanza.8k.com/">Matanza</a>”, together with Nicolás Batlle, Rubén Delgado and Fernando Menéndez. <br />
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He directed the experimental short films "<a href="http://www.bsasmvdbsas.8k.com/">Buenos Aires, Montevideo, Buenos Aires</a>" (2006) and "<a href="http://www.paseo-cortometraje.blogspot.com/">Paseo</a>" ("Walk", 2009). <br />
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<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL2fKamrao99twNGIloj6os6IE_de1Izn7hFfTw7vwrrXWGUKoJ8RDf9xhHzVR3CHM4-eDDEAGpj5DAYre_N9bvVQQYR5Mv1JOO0S1kQQDdzRm4UKw2ZpFK9RgMgmpjlRlgRa4qWoKGCRj/s1600/Gino+Gelsi.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" gu="true" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhL2fKamrao99twNGIloj6os6IE_de1Izn7hFfTw7vwrrXWGUKoJ8RDf9xhHzVR3CHM4-eDDEAGpj5DAYre_N9bvVQQYR5Mv1JOO0S1kQQDdzRm4UKw2ZpFK9RgMgmpjlRlgRa4qWoKGCRj/s400/Gino+Gelsi.jpg" width="400" /></a></div><br />
<b><span style="font-size: large;">Gino Gelsi</span></b> <br />
Gino Gelsi was born in San Antonio de Padua, Buenos Aires province, on August 18th, 1976. Since he was a child, he was denoting an inclination towards the creative processes that demonstrate in the construction of Objects.<br />
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Finished the secondary studies, he was fascinated by the vintage electronic equipments, and he begins studies of Engineering in Electronics. <br />
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He was Sound Designer of the full-lenght films "Alfredo Li Gotti, una pasión cinéfila" ("Alfredo Li Gotti, a movie fan passion", 2010, directed by Roberto Ángel Gómez - in postproduction); “Huellas y memoria de Jorge Prelorán” ("Traces and memories of Jorge Prelorán", 2009, directed by Fermín Rivera); and “Furtivo” ("A quick glance", 2007, directed by Nicolás Tannchen).<br />
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And the short films "Altagracia" (2009, directed by Nicolás Tannchen); "El retrato de la peste" ("The portrait of the pest", 2009, directed by Lucila Las Heras); "Sinsabor" ("Bittersweet", 2009, directed by Pablo G. Pérez - San Luis Cine prize); "Sacramento" (2008, directed by Nicolás L. Tannchen); and “Lo llevo en la sangre” ("On my blood", 2004, directed by Pablo G. Pérez - from the feature film “Short stories IV”).<br />
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<b><span style="font-size: large;">Pictures</span></b><br />
<a href="http://tresminutosdemar.blogspot.com/2010/05/fotos.html">Click here to see pictures</a>.<br />
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<b><span style="font-size: large;">Festivals</span></b><br />
<a href="http://www.mardelplatafilmfest.com/"><b>25º </b><b>Mar del Plata International Film Fest</b></a> - Official selection "Argentine short-film competition", Argentina, november 2010.<br />
<a href="http://www.piriapolisdepelicula.com/"><b>8º Piriápolis de Película Film Fest</b></a> - Official selection "Short film competition". Piriápolis, Uruguay, august 2011.<br />
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<b><span style="font-size: large;">Contact</span></b><br />
Emiliano Penelas <a href="mailto:emiliano451@hotmail.com">emiliano451@hotmail.com</a>Nido de caranchoshttp://www.blogger.com/profile/05436534630967490524noreply@blogger.com